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12 posts tagged electronic

12 posts tagged electronic

YAB London Rating: ★★★★★
Today marks the second release of South London bass label Shades of Grey and also it marks the debut release of producer Warsnare and his EP!
As you can probably tell, it is released under Shades of Grey Recordings and they have a great reputation for broadcasting some of the finest and most authentic bass sounds. Well I like to think so anyway because I haven’t come across anything like what the label release. If you haven’t been to their events, (next one being on the 2nd March at Plan B, Brixton), you will find that the music they like to affiliate themselves with is very much bassy but also very much different from what you would call bass music. It’s out of the box. It’s abstract. It’s a blank canvas turned Dalí, unlike some labels out there who take shape as a Jackson Pollock painting - expensive, overrated and pointless. Warsnare’s EP is exactly what Shades of Grey is, hence why I like his release because it’s so god damn different from everything else that’s being shared on the internet.
Starting the journey on the first track “The Astral Bells” is like waking up to see the sun rise. That’s what I see when I listen to this track simply because it’s so melodic, charming and it can put a smile on anyone’s face. It’s the same with the second track on the EP, “Warsnare” however the - how can I put this - war snares in the introduction sound pretty darn scary at first, but once the track kicks in, you realise it isn’t a scary track at all. In fact, it’s a joyful one. It’s a bit like one’s first experience smoking cannabis. Despite the schizophrenic behaviour, “Warsnare” goes down just as well as a pint of Guinness and with over 25 plays in my iTunes play count, I’m sure you can tell I like it.
The fourth track “Elipse” is ridiculously faster than the previous two tracks I’ve talked about and doesn’t follow a structure which makes you expect for the drop or breakdown to happen in the beginning. This, I like. I hate tracks which follow a structure, unless it’s house music then yes, it needs to have some sort of structure. Warsnare takes advantage of the tools he has in “Elipse” to create one hell of a musical piece. A Music Composition graduate from Goldsmiths University, you can tell he knows how to produce and knows how to use his tools efficiently and wisely. It also shows he knows production in the last track “Sedna”, where all the low frequencies - that’s your bass and whatnot, are used to give the track an identity, a feel and nature, instead of just relying on synths to carry the track forward.
One that stands out however is the track “Eris”, which I haven’t spoke about yet until now and there’s one reason for this. It’s f**king outstanding, so much so that I can’t find a word to describe how outstanding it is and have to rely on the f-word to express my love for it. Seeing as I love Dubstep - well I used to, I just like it because it’s slowly being degraded by America’s idea of there being a “filth factor” involved - this track, “Eris”, takes Dubstep on a whole different level. I haven’t even asked Warsnare myself if it is Dubstep, but it sure has the structure and it’s a track that the Dubstep genre needs badly to rescue it from salvation from the wrath of the American filth Dubstep scene. It’s the best track on the EP in my opinion for many reasons as it’s very harmonic and carries a very deep sense to it. The vocals are also cleverly reverbed (echoed) to further deepen the track and there’s also a trickling sound in the break which actually gives it texture, no joke. I closed my eyes while listening to it on my iPod and honestly, I tried to reach out and feel if it was raining.
Some might call it chillstep, some might call it lovestep, some might even call it Dubstep because it has the feel and foundation of Dubstep. Me however, I call it a pièce de résistance, simply because it defies everything what Dubstep is supposed to be in today’s standards. You can buy the EP on iTunes here for only £2.49. In the words of Warsnare himself, “that’s cheaper than a pint of beer!”
The official video of Eris can be watched by clicking here. I wanted to embed, but it didn’t allow me to!
“Kavinsky feat. Lovefoxxx - Nightcall” When I buy my first car, this will be the first song I will listen in it. There’s so many things I love about this track - from the slow 91BPM pace right up to the 80s Miami-esque synths, it is definitely one to impress.
It was featured in the motion picture Drive, which saw Ryan Gosling drive in the late hours of the night as a getaway driver and work as a mechanic in the morning, while experiencing a subtle infatuation for beautiful English actress Carey Mulligan, 26 who in my eyes, at times, looks nothing like her age.
I absolutely loved the film and more importantly enjoyed the soundtrack. It’s my all time favourite motoring/action film and Gosling and Mulligan played their roles brilliantly. The directing as well was superb. It’s a thriller with patience.
Drive is now available to buy on DVD.
by Cypriot Vibez
Amazing track. Interviewed Cypriot Vibes not too long ago. Video dropping soon guys and dolls x
CYPRIOT VIBEZ - TAKE YOU THERE [137bpm]
I mean, seriously. Are you fucking kidding me with this track? I haven’t even played it all the way through yet. I just keep pausing it due to an overwhelming “this is way too good,” feeling.
If it weren’t for my all-time homegirl, Unholy Rhythms, I may never have heard a single second of this. She knows me well, to an extent that can’t really be expressed on a tumblr blog. Needless to say, she dropped me this track, and I’m forever indebted to her.
The Weeknd’s (now classic) track, “What You Need,” subtly makes its way into this future-garage endeavor by 17-year-old Aron Djandash of London. Like I said before, I haven’t listened all the way through, because it’s just too good. Therefore, a proper review and feeling of the track isn’t in store for today.
Instead, you should just listen, feel, dance, be inspired. Somehow this track has been out for a whopping SIX MONTHS, and it’s painful to just now be hearing it. You’ll want to hear everything this guy has to offer, available on SoundCloud and YouTube. And, as always:
.::do:work.show:love::.
My new headphones. Dope!
Resident Advisor’s latest podcast RA. 285 sees UK band Friendly Fires enter the electronic genre with a bang.
They showed their colours with upbeat Dance track “Kiss of Life” back in 2009 and also covered Frankie Knuckles’ track “Your Love” with a live band. It received mixed opinions but I thought it was a great cover.
Their mix sees them feature tracks from Cosmic Kids, Sex Judas, Roman Flugal and Austra entering them straight into the electronic spotlight. Known by many as an indie band but not wary of it, Friendly Fires told RA that they were wary of “being given the “new rave” tag,” and go on to say that they think it’s time to move on if “people can comfortably describe what you’re doing in just two words.”
This mix is very much complex in terms of the genres it covers and you can tell the diversity in that that Friendly Fires themselves have put across to listeners. I really enjoyed listening to it, hence why it’s got a feature here on YAB London.
RA. 285 can be downloaded by “right clicking here and saving target as”.
YABLDN: SHADES OF GREY HALLOWEEN SPECIAL //
YAB London rolled down to Shades of Grey’s event at Plan B and it was a Halloween Special!
Acts that performed included, Jon1st (UK DMC 2011 Finalist), Duct, Randomer, Gang Colours, Deft and also a special guest.
Soundtrack: Africa Hitech X Shy FX - Out In The Streets VIP X Raver (Breakage’s Pattern Moschino Mix) //
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http://soundcloud.com/shadesofgreyrecordings
JUBILEE - MOONLIGHT //
I got this sent to me by Jubilee himself. He’s finally got to grips with chain mailing his material! And as a result, he’s even had feedback from Diplo!
‘Moonlight’ is a wonderful track. The 127BPM production definitely holds a lot of inspiration for some of the worlds finest electronic producers, giving it that Jubilee twist.
by Switch ft. Andrea Martin
SWITCH - I STILL LOVE YOU (CRYPT REMIX) //
Shame there’s no free download. This is a brilliant remix from Crypt who has his first release on vinyl reviewed here on YAB London. If you can remember Jubilee also did a refix of this song. Who’s do you think is better? Because I can’t make my mind up as they’re equally as good!